Paul gay
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Le Rocco de Paul Gay enrobe le plateau vocal d’un instrument profond et moelleux qui sied parfaitement à ce rôle de gardien de prison, débonnaire et passif. Le chant s’écoule dans une douce résonance, qui s’infiltre dans ses tirades à tonalité théâtrale. Il se sert de son vibrato comme d’un accessoire expressif, qui confirm le souple passage entre voix chantée et parlée.
- Rocco (Fidelio), Bordeaux Opera, May 18,
Paul Gay's Rocco wraps the vocal ensemble in a deep, mellow instrument that perfectly suits the role of the good-natured and passive prison guard. His singing flows with a soft resonance, which subtly infuses his more theatrical tirades. He uses his vibrato as an expressive accessory, ensuring a smooth transition between sung and spoken voice.
- Rocco (Fidelio), Bordeaux Opera, May 18,
BIOGRAPHY
French bass-baritone Paul Gay, a Chevalier de l’Ordre des Arts et des Lettres and Grammy Award winner, is internationally recognized for his commanding interpretations of leading roles in the French operatic repertoire.
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About Paul Gay
Composition is an area of music that slowly evolved to prominence in Paul Gay’s musical life. Primarily he was a performer in all of Boston’s elite musical groups, Boston Symphony & Pops, Boston Opera, and Boston Ballet. As a conductor he led various New England regional orchestras, with a highlight credited by the Boston Globe as one of Boston’s “Top Ten Performances of the Year” with his leadership of Puccini’s La Boehme. One of those regional orchestras received a grant from the National Endowment for the Arts.
Paul’s writing began while an Opera Major Undergrad at Boston’s New England Conservatory of Music. With its Third Stream Big Band it provided a innate outgrowth from his prior rural Jonesboro Maine tall school years improvising in jazz. In the ensuing years writing was a private matter for the most part, without any effort toward promotion. Works now include solo piano, song cycles, chamber harmony, ballet and symphonic works. His Bacchanalian Alarum fanfare began festivities for the Boston Symphony’s th Anniversary celebration party. A rece
BIOGRAPHY
French bass-baritone Paul Gay is known internationally for his portrayals of leading roles in the French repertoire. He collaborates with conductors such as Ivan Fischer, Seiji Ozawa, Michel Plasson, Yannick Nézet-Séguin, Semyon Bychkov, Philippe Jordan, Alain Altinoglu, William Christie, Emmanuelle Haïm and has been invited for novel productions by Willy Decker, Luc Bondy, Peter Stein, Richard Jones, Claus Guth, Laurent Pelly, Krzysztof Warlikowski, Robert Carsen….
His principle repertoire includes Golaud (Pelléas et Melisande), a role he has sung at the Paris Opera, at La Monnaie Brussels, in Frankfurt, Torino and in Lyon, Mephisto (Faust), which he has been invited to sing at the Paris Opera, the Maggio Musicale Firenze and at the Bordeaux Opera. Other signature roles incorporate Saint François, which he debuted in a novel production at the Bayerische Staatsoper Munich, where he has also appeared in productions of Der Zwerg, I Capuletti e i Montecchi, L’enfant et les sortilèges.
Paul is a regular guest at the Paris Opera where his roles have included Don Fernan